Showing posts with label tutorial. Show all posts
Showing posts with label tutorial. Show all posts

Friday, 23 August 2013

Tutorial - Using heart tins as corner shelves!


Here's an easy peasy and quick tutorial. It all started when I spotted a bare corner in my studio at Local Creation, whilst also pondering what to do with three unused but lovely heart tins. Whilst playing around with them, I wondered what they would look like on the wall as they had holey, lacy edges (ready-made heart shaped nail holes!). I found that they looked better upside down as this disguised the fixings. 
1.) Basically, take a heart shaped tin with a holey/lacy edge. If your tin doesn't have ready made holes it would be simple enough to carefully 3x drill holes at each side where the tin touches the wall and one near the point where the corner of the wall will be.
2.)Using a pencil, hold your tin against the wall and mark where the holes are. Hammer in the nail part of the way to start off the hole. When you are happy that the tin shelf is straight and in the right place, hammer in the nail leaving 2cm protuding (this will help to secure the shelf). If you want your shelf to hold heavier objects then you will need to use screws/wall plugs and a screwdriver or drill to fix to the wall. I was happy for my shelf to be securely fixed using nails, as I knew that I would place only small light objects on top.
3.) Find appropriate trinkets, place on top and admire! I have used 3D paper houses, a jar of buttons & plastic flowers, a heart shaped doily, an origami flower (left over from my wedding), and one of my ice cream van brooches to decorate the shelves.

Saturday, 9 March 2013

Fabric Transfer Paint Tutorial

1. Apply Berol Fabric Transfer Paint (or an alternative brand) onto thin paper such as newsprint or cheap printer paper. Start off by experimenting with the paint application itself. You can apply the transfer paint with a sponge for large block areas of colour or use a paintbrush for areas of detail. You could even use a calligraphy dip pen for fine lines.

2. After you have let the paint dry on the paper, you will need to investigate how the colours transfer on to different fabrics. Man-made fabrics with a sheen take the colour best, although you can use natural, light weight fabrics too. Cut up the colours into small shapes and place paint side down on to a piece of fabric.
3. Sandwich the fabric and paper shapes between a piece of greaseproof paper, place inside the heat press (which needs to be switched on 10 minutes before use) and close the lid. If you do not have access to a heat press, you can dry iron over the top of the greaseproof paper. In order to dry iron, you will need to remove the water from the iron and switch the steam setting off. Take care not to move the paper whilst ironing otherwise you will end up with a ghost print next to your image.
4. The longer you leave the greaseproof paper sandwich under the heat, the more vibrant the colours will be. You will need to take care not to burn delicate fabrics by leaving them under the heat for too long. Natural fabrics will need longer under the heat and the colours will be less vibrant. It is advisable to experiment with temperature settings to achieve desirable results. It should be noted that the heating process also seals the paint on to the surface of the fabric. Let the paper and fabric cool down before inspecting your work!
5. Once you are happy with the colour tests you are ready to create a fabric transfer design. In this project, students took buildings as their inspiration. Students painted a range of colours (some were mixed together to create a wider colour palette) onto paper before carefully cutting and collaging them on to a thin paper background. Note that students used glue sticks sparingly when collaging, as the glue itself reacts with the heat and can leave blotchy effects on the fabric. 

Students in this particular project were producing fabric swatches for a design brief but other applications for this technique could range from tote bags to t-shirt designs. The fabric transfer paint technique is really good fun and produces great results. The main advantage of it is that you can quickly transfer imagery onto fabric in a low tech way using easily accessible equipment that can be found around the home.

I have been exploring this technique further with Kiran Lee on her 'Table Top Textiles' course at Hot Bed Press ready to use with Key Stage 3 students. Watch this space!
 

Sunday, 3 March 2013

Upcycled Jam Jar Tutorial


 
-Several clean jam jars with labels and sticky residue removed

-Spray paint (I used Plasti-kote Fast Dry enamel in Sky Blue & Hot Pink from B&Q)

-Plastic toys – new or discarded!

-Strong adhesive  (Araldite works best)

-Plastic carrier bags – cheap thin ones are the most suitable

-Protective sheeting or newspaper

-Good ventilation!

-Apron to protect clothing



1. Eat lots of delicious jam or chutney.

2. Soak empty jars in hot soapy water to remove labels. Use nivea and a J cloth to remove the sticky residue (tip from my grandma!). If you do not remove the stickiness you will be left with a rough surface when you apply the spray paint.


3. Glue plastic toy to the jam jar lid using a strong adhesive such as araldite.
4. When dry, put a plastic carrier bag over the glass part of the jam jar and screw the lid shut.

5. Put on an apron and cover your work surface with newspaper or protective sheeting.


6. In a well ventilated area, spray the lid with an even layer of spray paint. You may need to apply several coats to larger toys. It is advisable to wait for each layer to dry before applying new coats of spray paint.
7. When the lid is completely dry remove the plastic carrier bag and fill. I filled mine with ribbon and wires that were cluttering up a drawer. 
8. Screw on lid and admire your handiwork! 
I would like to say that I do not take any credit for this idea. I spotted Torie Jayne’s Bunny Jars last autumn on Pinterest and pinned them to my Studio Envy board for future use. I was pleased to find another use for the many Bonne Maman jam jars that I had collected for my wedding table flower arrangements!
Wedding photography by Kelly Clarke of Imagesplash




Saturday, 29 September 2012

Built Environment - Mood Boards Tutorial

This post offers advice about how to create a mood board (also known as an inspiration board). Mood boards help creative people, from fashion designers to jewellers, to start putting together ideas for a project or commission. They are a collection of photographs, drawings, notes, samples and swatches placed creatively to communicate your ideas and interests.

Mood board inspiration from decor8


The most important reason behind constructing a mood board is to focus your thoughts. This can be done by really thinking about the theme of your project and then gathering items that will help you to visualise it. You can find inspiration in many different places ranging from the paint department at your local DIY shop and haberdashers to magazines and the internet. You can often find inspiration in your own home – raid those cluttered drawers and forgotten boxes in the garage! I often photograph things and places that interest me on my phone to use at a later date.

The mood boards on this post concentrate on two of the artists’ featured in my first post and the Built Environment 1 board on Pinterest.

Eve Broadhurst’s colour scheme for her ‘Belgium from the Rooftops’ set of illustrations uses pretty pastel colours reminiscent of ice cream and lollies. I have put together a collection of objects on Pinterest called ‘Ice Cream and Lollies’ that describes the colour theme and captures the atmosphere of her illustrations.


It is important to think about the theme creatively and not just focus on finding images of ice cream or lollies. In this photograph, I have gathered together objects ranging from a vintage cotton reel and old buttons to modern day washi tape. The objects all reflect the colour scheme that Eve has used and the one that I would like to use on a mood board inspired by her work. I have then placed the items on an old tablecloth that my grandma hand embroidered. I have also photographed pastel sweets on a white background. The photographs shown here could be used to add extra interest to your mood board.

Jessica Hogarth and a-side studio’s illustration uses areas of bright, block colour. Their designs remind me of confectionery and I have put together a board on Pinterest called ‘Sweetie Brights’ that is inspired by their work. Here, visual interest ranges from boiled sweets to stacks of coloured pencils.
Finally, make sure that you are inspired by the items that you are placing on your mood board. Be sparing with the use of text, take care over the composition and use samples to create additional interest (such as buttons, or scrabble piece or ribbon). Most of all, have fun putting it all together!

 Examples of two pupils' mood boards inspired by Ice Cream and Lollies

 Examples of two pupils' mood boards inspired by Sweetie Brights