Ted & the no.17 bus

Meet Ted, he is the driver of the no. 17 bus. He's a quiet yet friendly chap. He dreams of retiring and working on his allotment all day. He reads seed catalogues in his break and makes plans for entering his peas into the regional vegetable competition.

Size - 20cm height, width 15cm, depth 11cm

Ted is a papier mâché bird character. His clothes and accessories are made from found materials such as vintage silk handkerchiefs, scraps of tweed, leather, old buttons & even an abandoned sock. Can you work out what his beak and claws are made from?* 

Ted's leather bag contains miniature vintage style seed packets

The surface of his head and hands is decorated with extracts of a letter sent to me by my grandad that I have then printed onto tissue paper. I chose to do this as ‘Ted’ is loosely based on my grandad in terms of his dress sense and keen gardening interests. I have mentioned in a previous post that he has written to me every week since I went to university and I have decided to begin to capture our personal history in my art work. 

Grandad tends to his garden almost every day

*If you haven’t guessed yet, Ted’s beak and claws are made from acrylic nails that I have cut and shaped!

Ted's cap is made from scraps of tweed and linen. I loved making it!

Washi tape came in very handy when making the paper pattern for his shirt 

 

Here's 'Ted' in his posh greenhouse Unit Twelve. He's being very well looked after in the Contemporary Craft Open. If you'd like to meet Ted, the exhibition runs from 5th Dec 2013 to 1st March 2014. It is well worth a visit as it showcases the best in contemporary craft, both amateur and professional. Work has been selected by Little Northern Contemporary Craft Fairs, Yellowstone Art Boutique and Print Garage.

The First Cut

The First Cut exhibition at Manchester Art Gallery is a stunning celebration of artists who use paper in original and exciting ways. There has been a growing trend of artists cutting and sculpting paper over the past few years and this exhibition brings together some of the most important names in one place. 

I was fortunate enough to be invited to a teacher’s preview evening in July where we found out about the concept of the exhibition and worked with two of the exhibiting artists – Nicola Dale and Andrew Singleton. As I am a such a huge fan of cut paper work (whether it has been cut by hand or by laser), it was a real treat to be able to work with Nicola and Andrew. Both artists took time to carefully explain the influences behind their sculptures before showing us their working methods. For me, it is really important to know how a work of art has come about as it places the work in context and becomes much more meaningful.

Watch a short interview with Andrew here

Watch a short interview with Nicola here

Paper sculptures in ‘The First Cut’ are dotted all over Manchester Art Gallery but the main exhibition area is on the top floor where artists have got the advantage of the vast rooms to display their creations. Walking in to the first room, I was immediately greeted with the surreal hanging sculptures of Manabu Hangai. Manabu’s ‘Wonder Forest’ is a series of enormous tree like sculptures that are suspended from the ceiling. As I wandered through his gently moving forest it conjured up feelings of being a child again. Manabu has created the installation from locally sourced branches and autumnal coloured leaves made from Japanese seaweed. The leaves are made from ‘hosojuzumo’ which is a seaweed based raw hemp paper pigment native to Hokkaido, Japan. The leaves have a lovely lace like quality to them and cast beautifully patterned shadows on to the floor as they slowly move around. Magical!

I was also thrilled to see two of my favourite paper artists in the first room, Rob Ryan and Peter Callesen. The scale of both artists’ work surprised me. Rob’s work was cut on a much larger scale than I had imagined it would be and Peter’s work was exceptionally small (being fashioned from a single sheet of A4 paper). It just goes to show the importance of seeing art work first hand (Year 13 take note!)

Claire Brewster has cut birds on display in the main exhibition area and butterflies on the first floor in the Pre-Raphaelites gallery. Here, on the dusky turquoise walls and amongst work of another time, she has pinned exquisitely cut butterflies. Claire has used vintage map paper to create the butterflies which range in size and shape – some look like they are resting whilst others are in flight. I like the reference that she has made here to the Victorian’s act of pinning and classifying nature.

There are many other equally talented and interesting artists in this exhibition – far too many to mention in this post! You can see a great clip of the exhibition installation here. If you are in the area, it is well worth a visit. The exhibition is on at Manchester Art Gallery until Sunday 27^th January 2013 before moving on to Djanogly Art Gallery in Nottingham (from April).

Samantha Bryan’s Fairy Workshop

On Saturday 20^th October I left the busy city behind and went into the beautiful autumnal Nottinghamshire countryside to the Hope and Elvis Studio for a workshop with Samantha Bryan. Hope and Elvis is run and owned by textile artist Louise Presley and is situated on the idyllic Welbeck Estate. The Hope and Elvis studio is spacious, light and airy and is a treasure trove of textiles ephemera old and new. I went on a bag making course there a few years ago and have been eager to return to such an inspirational and welcoming space ever since.

Samantha Bryan is the creator of wonderfully humorous fairy sculptures. Louise had organised for Samantha Bryan to help us produce ‘fairies’ in her whimsical and quirky style. Her work is inspired by ‘victorian gadgetry and invention’ and is constructed with great technical skill and attention to detail. The sculptures are fashioned out of ‘wire, leather, found objects & collected materials’. Some of my favourite features of her work involve tiny roller skates made from buttons and ear muffs made from acorns! Samantha took us step by step through her fairy making process and was happy to let us work at our own pace, giving extra tuition whenever it was needed.

It was a fantastic day and I relished the opportunity to work with a contemporary craft practitioner. Both Samantha and Louise were extremely generous with their ideas, materials and time. The atmosphere was relaxed throughout and it was brilliant to see a range of different ages happily working together. There was even the added luxury of tea on tap and easy access to delicious confectionery – a must for keeping creative minds going!

I documented the experience throughout the day in the hope that it will give you an insight into Samantha’s methods of working. Samantha’s fairies usually take her around three days to create and she works on lots of different fairies at the same time going from heads and hands to wings and feet.

I love the fact that my fairy evolved organically from scraps of leather and found natural materials. I had a loose idea of what I wanted to make at the start of the day but let the materials on offer and the making techniques lead the design.

I didn’t manage to complete my fairy at the workshop but have thoroughly enjoyed finishing her off each evening this week. My favourite part of the whole process was working with such soft and richly coloured leather. I also loved accessorising her and have got carried away with knitting tiny leg warmers and weaving a miniature scarf complete with pompoms.