We’ll Meet Again (*)

Sadly, my lovely grandad died on Sunday 27^th December 2015 after a painful and prolonged struggle with cancer. I was determined that he should have an illustration on his Order of Service booklet that reflected his personality and love of nature.

 

The final illustration for his Order of Service uses old and new drawings taken from my sketchbook. My favourite illustrations have been collaged together into a colourful wreath using Adobe Illustrator and Photoshop. Each image represents his interests or the idea of remembrance.

Rosemary is a traditional herb used in funerals as a symbol of remembrance and memories of loved ones.

Pansies were grandad's favourite flower and symbolise loving thoughts. Forget me nots mean 'remember me forever' and symbolise love.

Two birds are jauntily perched at the top of the wreath as he adored them. The robin was a frequent visitor and could be seen following him around when he was busy working in the garden.

The text is taken from grandad's handwriting. This is particularly poignant as when I went away to university, grandad wrote to me at least twice a month. This continued up until his first admission to hospital in October 2015. I've treasured each and every letter that he sent me. They are all over my house in little bundles, there's even a few boxes of them in the loft.

I've loved the detailing of our everyday lives in the letters ranging from the weather and worries to jobs and children. They document how much our lives have changed over the years. Some of my favourite letters are from when I lived in Japan. I think grandad struggled to get to grips with my address in Tokoname as it is different on each envelope, although his letters always found their way to my little flat there.

I feel very sad that our letter writing is at an end. It would take a lot of paper and ink to thank both my grandparents for so many beautiful memories. They have been my anchor, my constant in an ever changing world. For now, I'll look at the birds eating the juicy bright red berries on the berberis shrub outside my kitchen window and be reminded of all the happy times that we spent together.

(*): We'll Meet Again - Vera Lynn

We'll meet again
Don't know where
Don't know when
But I know we'll meet again some sunny day
Keep smiling through
Just like you always do
'Till the blue skies drive the dark clouds far away

So will you please say hello
To the folks that I know
Tell them I won't be long
They'll be happy to know
That as you saw me go
I was singing this song…

Feathered Friends: Eden Project's Rainforest Robin

It is no secret that I love birds and in particular robins. I like hearing their bird song early in the morning on the way to work and unexpected encounters with them whilst out and about. They lift my spirits on the dreariest of days. Initially, I hesitated to include birds in my work as there are lots of artists who use their imagery. However, I think that you have to be true to what inspires you and initial sketches can lead to all sorts of different outcomes as you can see here.

Meet the Eden Project’s Rainforest Biome Robin.

I first came across this friendly little robin in late August 2011 in one of the hottest parts of the Rainforest Biome on a beautiful sunny day (remember those?). I was really surprised to see him hopping around in there as we all associate robins with cold winter days. Maybe this one had come to its senses and realised that the sunny, hot climes were much more appealing? When I visited a year later he was still there and must have found that the biome suited him very nicely!

The images above represent how much this one robin inspired my work and has formed an important part of my Curious Clare image (see above banner!). The painted robin study in my sketchbook has led to digital illustration, relief ceramic tiles and laser cut details on my wedding stationery and bunting. It also highlights the importance I place on drawing when embarking upon new projects!

Across the Pennines for an interview with Mr Finch

At the moment, my Year 8 classes are making three-dimensional moths and butterflies out of wire and fabric. The talented Mr Finch is their main artistic inspiration and as we discussed his work in preparation for their artist study, I found that the pupils were bursting with questions to ask him. To save Mr Finch from being bombarded with 62 separate emails (!), I collated their thoughts and we were delighted that he was able to take the time to answer them all. Thank you Mr Finch! You can read their questions and his replies below.

Did you like Art at school and were you good at it?
I did like Art at school ...actually I loved it. I had a really fab teacher who gave us a lot of freedom. If you have a great teacher, then it makes the world of difference and often you don't realise just how good your teacher was until you are older.
What inspired you to be an artist?
I never wanted to be anything else.  It was never a conscious decision to become an artist. I just always felt the strong urge to be creative. I knew that the only way that I could be truly happy was to do it as much art I could and hopefully one day make a living out of it. I am very lucky to be doing it as my job, but it is still a job and I have to work very hard at it.  But it is the best thing in the world.
What is your favourite thing about nature?
I love how nature is an endless source of inspiration, it is everywhere you just have to look. I live in the city and I still see midnight foxes and secret magpies building nests into the roof from where I live. There is always something new to see or learn and there are always new species being found every year.

Why did you go into Textiles?

I moved into Textiles deliberately, as for years I had tried many different mediums from leather work to paper craft and I just wanted to see what would happen. It then just seemed like the best fit and now it seems like I had been searching for ages for a way to interpret my ideas. Textiles suits me the best out of everything I have tried.

If you weren't a Textile artist, what would you be?

I would like to be involved in the world of insects in some way. Not sure in which way though! I am always quite jealous of when you see those museums full of wooden drawers and cases filled with beetles and butterflies. I’d like to work somewhere like that. Maybe I would try conservation and do some field work out in a tropical jungle...

Why do you like nature so much?

I love nature for so many reasons. I love how symbolic animals and birds are. I particularly like the stories and folklore that surround them.

What is your favourite insect?

This is hard but if I had to pick a single insect it would be the Orchid Mantis. It is a really sinister insect but one that I find incredibly beautiful. Apparently it hides in a flower and is the most amazing shade of pink.

More images of this fascinating creature can be seen here

When you make your butterflies and moths, do you have a design or do you freestyle?

Yes, I do use a pattern especially for the butterflies and moths. I’ve made then freestyle in the past but they can come out a bit too big and clumsy looking so I try to limit this and stay within a certain size and shape. The spider and beetles however are mostly cut freehand.

How long does it take to make your insects and creations?

I can usually make a couple of insects in one day, however larger work can take days. The really large work like the swan and huge moths took a couple of weeks to make. They are made in exactly the same way as the smaller items just bigger and a ton more stuffing!

What is your favourite creature that you have made so far?

I really like to make insects, plus the spiders and moths are really fun to make. I find them satisfying to create and they often have really distinctive personalities quite early on.

Why do you use vintage materials in your work?

Using vintage and old fabrics is something I have always done and will always continue to do. I love turning something old or something that is only destined to be thrown away into something new and beautiful. Initially I worked with old clothes because I had no money to use anything else. Even if I became super rich I would still use the same fabrics. Old things and fabrics have had lives and maybe had adventures. You are sewing in a story, it’s this thought process that I love and which is so important and central to my work.

Are any of your pieces in collections worldwide and if so, in which countries?

I'm lucky in that my work is all over the world from Japan and U.S.A to France and Africa. I have people who collect my work and have heard that Emma Watson collects my beetles.

Have you ever had ‘artists block’?

I have yes but it is not something I suffer from much or have often. Everybody has a different cure for being 'blocked' and how to get out of it. I don't think it is as simple as one cure unblocks everyone. Trying to see as many new things as possible and drenching my brain in nature programmes or books tends to do the job for me though.

How much do you sell your work for?!

My works starts from £45 for a butterfly and goes up from there. Large wall hares and foxes start from £450. I’ve added old jewellery in the past which has pushed the price a lot higher but don't do this much though.

Please note that all images of Mr Finch’s art work are copyright of Mr Finch and can be viewed on his website or blog